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MIcAela COMETA Art
Inquiries
For inquiries and more information about my work, please contact me at: micaelacometa@gmail.com
For Inquiries About My Paintings
Discover the perfect piece to enhance your collection or space. I offer detailed information on availability, dimensions, materials, and pricing, and I am happy to guide you in selecting a painting that resonates with your taste and environment.
Custom commissions are also available, allowing you to own a unique artwork created specifically for your preferences or corporate space. Each piece is crafted with care and attention to detail.
For inquiries, requests, or to discuss a commission, please reach out directly at: micaelacometa@gmail.com. I look forward to connecting with you and sharing my work.
Sheet
This painting, titled Sheet *Shit*, marks the artist’s first complete departure from their established style. It was created using a bricolage technique, inspired by a trip to Bristol and the street art culture there, including the murals of Banksy and similar influences.
For further information or to get in touch with the artist, please feel free to reach out through the contact section on this website.
For further information or to get in touch with the artist, please feel free to reach out through the contact section on this website.
Chepstow Santa
Dimensions: 40 × 30 cm
Material: mixed media painting
The artwork Chapstone Santa is inspired by an initial journey the artist made to Wales, along the river that embraces the Shapeston area. The piece originates from the memory of those moments spent watching the sunset at Shapston Elliot, during a day when the chauffeur Elliot drove the artist to witness that remarkable view.
The sand incorporated into the artwork was collected from Santa, in the Lanzarote islands, and is integrated into the pictorial material to strengthen the physical and symbolic connection between the different places experienced.
The painting expresses a deep sense of longing for those moments in Wales, transforming memory into matter, texture, and color.
For further information, please contact the artist.
Material: mixed media painting
The artwork Chapstone Santa is inspired by an initial journey the artist made to Wales, along the river that embraces the Shapeston area. The piece originates from the memory of those moments spent watching the sunset at Shapston Elliot, during a day when the chauffeur Elliot drove the artist to witness that remarkable view.
The sand incorporated into the artwork was collected from Santa, in the Lanzarote islands, and is integrated into the pictorial material to strengthen the physical and symbolic connection between the different places experienced.
The painting expresses a deep sense of longing for those moments in Wales, transforming memory into matter, texture, and color.
For further information, please contact the artist.
9.13
Black Hole
Collection Totale – Black Hole (40 x 40 cm)
A raw, divided composition: on the left, a deep magenta form encloses a blank Polaroid—an image swallowed into darkness. A thick white vertical band cuts the canvas like a barrier. On the right, repeated black circles suggest fading traces or obsessive marks.
This work reflects a black period of the artist—focused on absence, silence, and inner collapse. The empty photo becomes the core: nothing to show, everything implied. for more info contact the artist.
A raw, divided composition: on the left, a deep magenta form encloses a blank Polaroid—an image swallowed into darkness. A thick white vertical band cuts the canvas like a barrier. On the right, repeated black circles suggest fading traces or obsessive marks.
This work reflects a black period of the artist—focused on absence, silence, and inner collapse. The empty photo becomes the core: nothing to show, everything implied. for more info contact the artist.
Cry in the River
Mixed Technique 52X46
“Cry in the River” unfolds as a layered emotional landscape, where matter and color merge into a quiet yet powerful narrative. The composition is built through a dialogue of textures and tones: warm gold and soft beige dissolve into metallic grey, while deep ocean blue flows across the surface like a current of memory and movement.
Natural pigments give the work an organic depth, grounding it in an almost elemental dimension. A subtle strip of green emerges within the material, suggesting life, resistance, and regeneration—an interruption that breathes within the composition.
Embedded within the painting, the can becomes both object and symbol: a fixed, physical presence that disrupts the pictorial space. It introduces a tension between nature and human trace, between permanence and decay, transforming the work into a reflection on contemporary existence.
The surface appears both fluid and restrained, as if holding back an invisible force—like a cry suspended within a river’s flow.
For more information, please contact the artist.
“Cry in the River” unfolds as a layered emotional landscape, where matter and color merge into a quiet yet powerful narrative. The composition is built through a dialogue of textures and tones: warm gold and soft beige dissolve into metallic grey, while deep ocean blue flows across the surface like a current of memory and movement.
Natural pigments give the work an organic depth, grounding it in an almost elemental dimension. A subtle strip of green emerges within the material, suggesting life, resistance, and regeneration—an interruption that breathes within the composition.
Embedded within the painting, the can becomes both object and symbol: a fixed, physical presence that disrupts the pictorial space. It introduces a tension between nature and human trace, between permanence and decay, transforming the work into a reflection on contemporary existence.
The surface appears both fluid and restrained, as if holding back an invisible force—like a cry suspended within a river’s flow.
For more information, please contact the artist.
Dualism
A minimalist Wabi-Sabi interior hallway. Two large vertical textured linen canvases hang side-by-side on a textured plaster wall, featuring abstract black ink splatters, minimalist line art, and faint sepia stains. Beneath the paintings sits a low, rustic raw wood bench. On either side of the bench are large, textured earthenware pots with delicate dried branches. Warm, dramatic gallery spotlighting from above casts soft shadows. Earthy tones of white charcoal, and black. For more info contact the artist
IUI 26
IUI 26 – The Polaroid Collection
60 x 60 cm – Mixed Technique
This painting explores the current geopolitical tension and conflict between Iran, Israel, and the United States. Inspired by real-world events and the instability shaping our present time, the work reflects on power, control, and the fragility of global balance.
At the center of the composition, the circle represents dominant world powers—nations that influence and control the course of history. The yellow-gold element symbolizes the explosion: a visual metaphor for conflict, destruction, and the sudden breaking point of political tension.
Through mixed techniques and layered materials, the artwork creates a dialogue between structure and chaos, inviting the viewer to reflect on the consequences of war and the forces that drive it.
For more information, please contact the artist.
60 x 60 cm – Mixed Technique
This painting explores the current geopolitical tension and conflict between Iran, Israel, and the United States. Inspired by real-world events and the instability shaping our present time, the work reflects on power, control, and the fragility of global balance.
At the center of the composition, the circle represents dominant world powers—nations that influence and control the course of history. The yellow-gold element symbolizes the explosion: a visual metaphor for conflict, destruction, and the sudden breaking point of political tension.
Through mixed techniques and layered materials, the artwork creates a dialogue between structure and chaos, inviting the viewer to reflect on the consequences of war and the forces that drive it.
For more information, please contact the artist.
Ago
Sculptural wall artwork made with gesso, acrylic, and metal needles. Its textured organic surface and integrated backlighting create depth, shadows, and a refined contemporary presence. Handcrafted and unique. Dimensions: 80 × 100 cm for more info contact the artist
Berlin Est
Berlin – Acrylic on Linen
This painting is created with acrylic on linen and divided into two contrasting color fields: mustard and violet, intersected by gestures of green, white, and deep red-wine tones. The linen surface is intentionally split into two chromatic territories, suggesting the dual identity of the city itself—between memory and reinvention, history and experimentation.
At the center of the composition appears a circle, a recurring symbol in the artist’s work. Here it functions as a point of gravity, evoking both a sun and an urban nucleus, as if the energy of the city were condensed into a single pulse. The circle interrupts the tension between the two halves of the canvas, creating a moment of balance within the visual fragmentation.
The work draws inspiration from the spirit of Berlin, a city known for its layers of history, artistic resistance, and constant transformation. The divided surface echoes the memory of borders and reunification, while the vibrant palette reflects Berlin’s contemporary creative energy—raw, experimental, and always in motion.
The painting becomes a metaphor for the city itself: fractured yet vibrant, structured yet open, constantly rebuilding its identity through art and cultural expression. for more information contact the artist .
This painting is created with acrylic on linen and divided into two contrasting color fields: mustard and violet, intersected by gestures of green, white, and deep red-wine tones. The linen surface is intentionally split into two chromatic territories, suggesting the dual identity of the city itself—between memory and reinvention, history and experimentation.
At the center of the composition appears a circle, a recurring symbol in the artist’s work. Here it functions as a point of gravity, evoking both a sun and an urban nucleus, as if the energy of the city were condensed into a single pulse. The circle interrupts the tension between the two halves of the canvas, creating a moment of balance within the visual fragmentation.
The work draws inspiration from the spirit of Berlin, a city known for its layers of history, artistic resistance, and constant transformation. The divided surface echoes the memory of borders and reunification, while the vibrant palette reflects Berlin’s contemporary creative energy—raw, experimental, and always in motion.
The painting becomes a metaphor for the city itself: fractured yet vibrant, structured yet open, constantly rebuilding its identity through art and cultural expression. for more information contact the artist .
Opera III
Polaroid Collection – Acrylic on Canvas (90 × 100 cm)
This painting is part of the Polaroid Collection and is created entirely with acrylic on canvas. The composition uses circles and abstract forms to represent different geopolitical realities and the tensions of the present time.
The large red circle symbolizes the United States. The smaller circle at the bottom represents Israel and reflects the current conflict affecting the region. The circle positioned on the right represents Iran and, more broadly, the countries of the Middle East that are currently searching for hope, light, and a path toward peace.
Through abstract language and layered acrylic textures, the work invites viewers to reflect on the fragile balance between conflict and hope in today’s world.
For more information, please contact the artist
This painting is part of the Polaroid Collection and is created entirely with acrylic on canvas. The composition uses circles and abstract forms to represent different geopolitical realities and the tensions of the present time.
The large red circle symbolizes the United States. The smaller circle at the bottom represents Israel and reflects the current conflict affecting the region. The circle positioned on the right represents Iran and, more broadly, the countries of the Middle East that are currently searching for hope, light, and a path toward peace.
Through abstract language and layered acrylic textures, the work invites viewers to reflect on the fragile balance between conflict and hope in today’s world.
For more information, please contact the artist
Window in the Ocean SOLD
Caleton blanco
SOLD
Panormus
Panormus is an acrylic painting on linen that celebrates the vibrant soul of Palermo during the height of summer. Inspired by the city in July, the work reflects the festive atmosphere, rich traditions, and folkloric energy that fill the streets during this time of year.
Bright, lively colors animate the composition, evoking music, movement, and the warmth of southern light. The painting captures Palermo not as a fixed place, but as a living rhythm—crowded, joyful, and deeply rooted in its cultural identity.
Panormus is currently available.
For further information, please contact the artist directly.
Bright, lively colors animate the composition, evoking music, movement, and the warmth of southern light. The painting captures Palermo not as a fixed place, but as a living rhythm—crowded, joyful, and deeply rooted in its cultural identity.
Panormus is currently available.
For further information, please contact the artist directly.
Murder in Town 2
Murder in Town is a mixed-media and acrylic work, part of the Murder in the Town collection. The painting was inspired by a journey to New York, during which the artist witnessed the aftermath of a crime scene.
On that day, the city appeared entirely grey—muted, heavy, and distant. This work represents a fragment of the building where the murder took place, captured through a stark, compressed perspective. The composition reflects a sense of stillness and unease, where everyday architecture becomes charged with memory and tension.
The use of mixed technique reinforces the roughness of the scene, translating shock and silence into material and surface.
For more information, please contact the artist by email.
On that day, the city appeared entirely grey—muted, heavy, and distant. This work represents a fragment of the building where the murder took place, captured through a stark, compressed perspective. The composition reflects a sense of stillness and unease, where everyday architecture becomes charged with memory and tension.
The use of mixed technique reinforces the roughness of the scene, translating shock and silence into material and surface.
For more information, please contact the artist by email.
Carretera Famara SOLD
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